
The River
I was six years old when I found a snail in a shallow river.
I had never seen anything like it.
Somehow, even at six years old, I knew I wasn't looking at "just" an animal. It felt like a tiny universe
—perfectly formed, quietly existing in its own rhythm while the world rushed around it. I remember crouching beside the water, captivated by its spiral shell, its stillness, and the strange feeling that I had discovered something precious.
I picked it up and ran toward my mother, eager to share my excitement.
In my small hand, I squeezed a little too tightly.
The shell broke.
I still remember the silence that followed.
For the first time, I understood that wonder without attention could become destruction.
Some things cannot be held through excitement alone. They ask for presence. Gentleness. Time.
Although I didn't have the words then, that moment became my first lesson in observation.
Over the years, I found myself returning to nature—not searching for answers, but learning how to pay attention.
I spent countless hours watching snails, caring for aquariums, drawing circles, following water, light, plants, and the patterns that quietly repeat across every scale of life.
Gradually, I began noticing the same movements everywhere. The spiral of a shell. The branching of trees.
The flow of rivers. The turning of galaxies. Different forms, different scales—yet somehow guided by the same quiet intelligence. It became impossible for me to think of nature as something outside of us.
We are nature.
Drawing revealed things language never could. Observation changed not only what I saw, but how I saw.
Later, while facilitating workshops, I watched people quietly discover parts of themselves through the simple act of making. A circle drawn by hand. A page filled without a plan. A moment of silence that revealed more than explanation ever could.Different as these experiences appeared, they were all circling the same question.
How do we remember our center while participating more consciously in life?
That question gradually became Y∞niverse.
Not as a brand, but as an evolving creative practice.
A place where art, nature, education, and research continually inform one another.
Where creativity is not treated as talent, but as a way of knowing.
Where observation becomes participation.
Where self-knowledge becomes contribution.
Over time, I came to feel that nothing in nature begins incomplete.
Every seed, every shell, every child carries an inherent pattern waiting to unfold. Perhaps we do too.
What we lose is not our wholeness, but our relationship with it. Our attention becomes scattered by speed, fear, expectation, and habit. For a long time, I held the world that way too.
Too tightly.
Myself included.
Creativity, for me, has become a way of remembering.
Not remembering the past, but remembering the center—the place from which each person's unique way of participating in the world can naturally unfold.
Every painting, every workshop, every piece of writing, and every conversation is another invitation to slow down, observe more deeply, and participate more consciously in the living world.
Sometimes I think Y∞niverse began beside a river, in the silence after a tiny shell broke in my hand.
Or perhaps every act of careful attention is another beginning.

단락 텍스트입니다. 텍스트를 추가 및 편집하려면 여기를 클릭하세요.
시작과 끝이 맞물리지 않은 채
수축과 팽창이 하나의 존재로 동시에 발생하는 자연현상



우리는 단면적으로 원을 맴도는 삶이 아닌
최소 3차원의 나선형적 흐름과 행로를
각자 그리고 함께 만들어 가고 있다.
과거, 현재, 그리고 미래
그 흐름을 인지하고 주관하는 의지의 나선형,
자각 없이 그저 흘러가는 수동적인 나선형,
큰 흐름을 거스르고 새로움을 개척하는 나선형,
큰 흐름에 동참하는 나선형,
등...
미시적 움직일지더라도,
다채로운 개인의 의식과 의지로
통괄 할 수 있는 능력이 존재한다.
본인은 본인의 삶이라는 예술의 작가이기에.
그리고 이런 다양한 나선형들은 분명 서로에게 영향을 끼친다.
...융합하고
충돌하며...
조상들의 지혜와 관습처럼



click
십여년이 지나고,
NASA의 사진에서 나는 달팽이와 재회했다.
original source from NASA
나선형








그렇다면,
광활한 우주 속 별들이 모여 아름다운 은하계를 생성하듯
우리도 마음과 비전을 모아 발걸음에 균형을 맞춘다면,
삶에서 찾아오는 혼돈과 공허함에 맞서
조금 더 조화롭게 강한 그림을 그려나갈 수 있지 않을까?

